This week, the music industry is focused on Austin, TX, home of the annual South by Southwest (SXSW) music festival. With over a thousand acts performing at more than fifty venues over the course of five days, it’s a music lover’s dream.

Just like last year, we’ve sifted through this year’s schedule and found a few accordion-toting artists worth checking out:

• Beirut
  I can’t believe I haven’t written about Beirut here before! 20-year-old Zach Condon’s Balkan-inspired album Gulag Orkestar made him one of the indie rock darlings of 2006. After listening to him croon over enchanting accordion lines, it’s easy to see why.
  Beirut: Elephant Gun
• KTU (Pohjonen, Gunn, Mastelotto)
  Avant garde Finnish accordionist Kimmo Pohjonen’s mission is to “expand the capabilities, sound, performance, scope and experience of the accordion to levels never before seen or heard.” Joined by guitarist Trey Gunn and percussionist Pat Mastelotto, he’s well on his way.
  KTU (Pohjonen, Gunn, Mastelotto): Absinth
• Pistolera
  Based in New York City, Pistolera fuses traditional Mexican music with electric rock rhythms. The band features vocalist and guitarist Sandra Lilia Velásquez along with the driving accordion melodies of Maria Elena.
  Pistolera: Cazador
• Asakusa Jinta
  This “hardcore marching brass band” from Asakusa (Tokyo’s old downtown), Japan, plays modern, rollicking rockabilly, armed with accordion, saxophones, trombones, tuba, and stand-up bass. They sound like they’d be one hell of a live band; luckily, they’ll be in San Francisco next week!
  Asakusa Jinta: Tokyo East End Rockers
• The Cassettes
  Cajun accordion, theremin, dobro, and tabla all find their way into the music of this Washington DC “rock n’ roll vaudeville western band.” Like so many bands at SXSW, their sound isn’t easily summed up in a sentence; just listen to the MP3:
  The Cassettes: Lady Faire

A few years ago, I inherited a fantastic collection of classic accordion sheet music. The arrangers’ names read like a “Who’s Who” of accordion masters: Deiro, Frosini, Magnante, Nunzio. However, most of the pieces were (and still are) far beyond my reach, so I was left wondering how “La Mariposita” and “Carnival of Venice” should really sound.

Now I know — thanks to Zevy Zions and his excellent new album of accordion solos, Olive Blossoms. Zions is a student of the great performer and teacher Charles Nunzio who, in turn, was a student of the legendary Pietro Frosini. Most of the songs on Olive Blossoms were either written or arranged by Frosini or Nunzio and it’s clear that Zions has gone to great lengths to do them justice.

From the start, Zions’ playing is impeccable, even on the most challenging material. But he’s no robot either; whether it’s the bouncy “Jolly Caballero” or the dreamy “Florette”, Zions handles the dynamics and nuances of each piece with care. The album’s centerpiece is his “Klezmer Suite” arrangement, which builds from a wandering, improvisational Doina to a rollicking Freilach.

Variety is key to any album of solos (regardless of instrument), and Zions does a fine job showing the accordion’s versatility across styles and genres. The album’s 18 tracks range from waltzes to tarantellas, polkas to tangos, with a unique accordion arrangement of a Mozart minuet for good measure.

There are no MIDI tricks here — just pure, beautifully executed renditions of accordion classics. Whether you’re new to these songs, or an experienced player seeking inspiration, Olive Blossoms would be an excellent addition to your accordion listening library.

Buy Olive Blossoms by Zevy Zions

Zevy Zions: Coquette Polka (MP3 download)

“Cajun Sound, Rock ‘n’ Roll Energy” is an excellent article from Sunday’s New York Times on the resurgence of Cajun music among young musicians and dancers in Louisiana. Up-and-coming Lafayette bands like the Pine Leaf Boys, Lost Bayou Ramblers, and Red Stick Ramblers, have been electrifying the local dance floors with a fresh approach to traditional Cajun music:

“‘I want to document what’s going on here,’ Joel Savoy, 26, said, ‘because it’s exciting to see all these young kids playing this weird traditional music with accordions and fiddles and to have all these young kids eating it up like it’s the coolest thing ever.'”

The article centers on the Savoy family, particularly the role that Marc and Ann Savoy played in passing the music down to their children. Marc is a master button accordion maker and musician, while Ann was nominated for a Grammy last year for her Zozo Sisters project with Linda Ronstadt. Raised around Cajun music legends, it’s no surprise that their children — Wilson plays accordion, Joel plays fiddle — have become leaders of the new Cajun scene.

There’s also a brief discussion of the difference between Cajun and zydeco — a distinction that, admittedly, we don’t often make on our site. If you’re curious, the Rochester Cajun Zydeco Network has a great overview of the origins and differences between the two styles.

Pine Leaf Boys: Zydeco Gris Gris (MP3 download)

Accordions are still all too rare in jazz, but Will Holshouser is doing his part to change that. A master accordionist, composer, and improviser, Holshouser’s unique sound crosses a wide range of genres, from chamber-jazz to folk to avant-garde and experimental.

It’s no surprise given his eclectic list of collaborators; in addition to his own band, the Will Holshouser Trio, he has played with David Krakauer & Klezmer Madness, Matt Munisteri & Brock Mumford, Musette Explosion, and numerous others. In a recent interview, Holshouser talked about the relationship between jazz and folk in his music, with emphasis on his involvement in klezmer:

“Playing klezmer has certainly changed the way I play the accordion. Among other things, I’ve learned to spit out runs of notes, to play peppery, dry, percussive chords, and to use ornamentation to tease out harmonic color. Many of these musical nuts and bolts are interesting and quirky, but what’s really fascinating is how they create such compelling effects — how they punch through our daily existence and help us to have these musical and emotional experiences that are so fulfilling.”

Most of Will’s original work is with the Will Holshouser Trio, which includes skilled improvisers Ron Horton on trumpet and David Phillips on bass. Their latest CD, Singing to a Bee, was recorded live in Faro, Portugal, during the Jazz No Inverno Festival in December 2004. To show you their versatility, here’s a track from that album that teeters between zydeco and jazz:

Will Holshouser Trio: Far Away Home (MP3 sample)

If you’ve been watching prime-time TV on NBC lately, you’ve seen their barrage of commercials for a new show called The Black Donnellys. The show follows four Irish-American brothers living in New York’s Hell’s Kitchen and depicts their transformation from boys to mobsters. Now a show about rowdy Irish-American guys has to have some accordion in it, right?

As it turns out… it does! The pilot episode, airing next Monday at 10pm (after Heroes), features a tune by eclectic Bay Area band The Mad Maggies. Keep your ears open about seven minutes into the show as “Sleepy Maggie”, a Mad Maggiefied version of a traditional reel, plays over a slow-motion fight scene. You can hear more on their excellent new album, Magdalena’s Revenge. And don’t forget to set your Tivo!

The Mad Maggies: Sleepy Maggie (MP3 download)

Enjoy jazz or showtunes? Check out Daccorduett — a new project from singer Konni Deppe and accordionist Andreas Hermeyer. Together, they give warm treatments to classic melodies like Henry Mancini’s “Crazy World” and “You and Me” (both from Victor/Victoria). They’ve played a handful of shows in Germany so far and are hoping to release a full album sometime this summer.

Daccorduett: Crazy World (MP3 download)

Like a norteño version of the Rolling Stones, Los Tigres del Norte show no signs of slowing down. Even after forty years and selling over 30 million records, the Hernández brothers (and cousin Oscar Lara) still play to packed houses night after night. In the late 60s and early 70s they revolutionized norteño music with electric instruments, pop/rock beats, and corridos about life on the border. Even today, Los Tigres don’t just sing to their audience, they sing about them — telling stories of the joys and heartaches of Mexican immigrants struggling to make it in America.

Last weekend, Los Tigres received glowing write-ups from both the Washington Post and the New York Times. The Washington Post article frames their story in the context of today’s immigration debate — showing how, despite their fame, they manage to stay close to their fans and stand up for them in their music. As bassist Hernán Hernández says, “People don’t just go [to our concerts] to party, they go for a purpose.” Don’t miss the excellent slideshow accompanying the article.

Meanwhile, the New York Times review of their concert at Brooklyn’s Bedford Armory depicts the bouncy, electric atmosphere of a show that lasted until 3am. Sounds like lead singer and accordionist Jorge Hernández had no trouble keeping the crowd going:

“… Adding stabs of accordion chords, he kept working through his battery of gestures of respect or supplication or triumph: doffing his cowboy hat and holding it out with arm fully extended, then putting it back in place, raising his fingers to his lips or his heart, putting forth a fist and shaking it once to signify firmness. He moved entirely in slow motion as the beat pumped behind him, and he was mesmerizing.”

Los Tigres del Norte have a new album due out on March 27 called Detalles y Emociones. The track below is from their most recent album, Historias Que Contar, which won “Best Norteño Album” at last weekend’s Grammys.

Los Tigres del Norte: Señor Locutor (MP3 download)

Today, we wrap up our look at the “Best Polka Album” nominees with another Chicago polka legend, Eddie Blazonczyk’s Versatones. We profiled the Blazonczyks last month, discussing the challenges that Eddie Jr. has faced since taking the reigns from his father.

Despite those challenges, the Versatones have remained one polka’s top bands. Formed in 1963 by Eddie Sr., the six-piece Versatones helped modernize polka by incorporating rock, country/western, Cajun, and Tex-Mex influences. Now with “Junior” handling the vocals and playing concertina, the band continues to promote polka through a rigorous schedule of touring and recording.

Batteries Not Included is the 18th Grammy-nominated album for Eddie Blazonczyk’s Versatones; they won once, back in 1987, but shared that award with (guess who?) Jimmy Sturr. If you enjoy uptempo, Chicago-style polka, this album won’t disappoint. Even traditional waltzes like “Chlopak” and “In the Oak Grove” are played at a pretty fast clip. And goofy numbers like “The Wife You Save” and “My Misery” show off Blazonczyk’s sense of humor.

Eddie Blazonczyk’s Versatones: My Misery (MP3 sample)

Buy Batteries Not Included by Eddie Blazonczyk’s Versatones

You can’t talk about polka and the Grammys without mentioning Jimmy Sturr. Since the Grammy for “Best Polka Album” was first awarded in 1986, Sturr has won an astounding 15 out of the 20 awards given. While this has engendered jealousy among a few in the polka community, Sturr had no apologies during our exclusive interview back in October:

“I know there are people who are always knocking me; for instance, I read in the paper the other day where someone said ‘Jimmy Sturr should step down.’ (laughs) I will when the New York Yankees do.”

There’s no argument, though, when it comes to his work as a polka promoter; few have tried harder to bring polka to a wider audience than Jimmy Sturr. He has recorded over 100 albums, plays over 150 dates a year (including non-polka venues like Farm-Aid and the Grand Ole Opry), and has a regular show on RFD-TV. In addition to his own excellent band, he has recruited an impressive list of guest artists to record with him. Names like Willie Nelson, Alison Krauss, the Oak Ridge Boys, Arlo Guthrie, and many more.

After a pair of rock-oriented polka albums (Rock ‘n’ Polka and Shake, Rattle, and Polka), Jimmy Sturr and His Orchestra get back to basics with Polka in Paradise. And, as usual, Sturr brings some guests along for the ride: the “Polish Prince”, Bobby Vinton, guests on the title track and The Jordanaires contribute vocal harmonies throughout.

In a big band like Sturr’s, the accordion can sometimes get lost in the shuffle. That’s not the case, though, on this Polka in Paradise track featuring dueling accordion solos by Steve Swiader and Al Piatkowski:

Jimmy Sturr and His Orchestra: Accordions on Fire (MP3 download)

Buy Polka in Paradise by Jimmy Sturr and His Orchestra